THE
INDEPENDENT
August
26, 2003
by Tom Vallance
ANDREW RAY achieved instant fame as a child star when he was
chosen at the
age of 10 to play the title role in the film The Mudlark, which starred
Irene
Dunne as Queen Victoria and was the Royal Performance Film of 1950.
Ray was part of a show business family - his father Ted was a famous
comedian
who had his own radio show, while his older brother Robin was to become
a
musician and popular radio and television personality - so he should
have been
better prepared than some for youthful acclaim but, like many child
actors, he
found early stardom a mixed blessing.
His education, he said later, effectively stopped when he was 10 years
old.
"How can you go back to school and remain unchanged," he asked,
"when you've suddenly become a film star?" At the age of 25
he attempted suicide, claiming that he was "washed up", but
he was later to find some success on television and in stage productions.
Born Andrew Olden in London in 1939, while his father Ted Ray (real
name Charles Olden) was making his first radio broadcast, he won his
big chance by accident. Ben Lyon, a film and radio star who was then
working as a casting agent for 20th Century-Fox, called on the Rays
to see if Robin would test for The Mudlark.
Andrew
was at home recovering from mumps and when Lyon saw that Robin had grown
too tall for the role, he suggested that his brother try for the part.
Amid much publicity, Andrew Ray won the part of the cockney orphan who
discovers a medallion picturing Queen Victoria and becomes obsessed
with the idea of meeting her. His capture while sneaking into Windsor
Castle provokes controversy, but he eventually meets the Queen and charms
her into coming out of the seclusion she has sought since being widowed.
Directed
by Jean Negulesco, the film had a distinguished cast - besides Dunne
as the Queen it featured Alec Guinness as Disraeli, Finlay Currie as
John Brown and, in a small role, Alfred Hitchcock's daughter Patricia.
It was generally agreed, however, that Ray stole the film, which tended
to be stilted when he was not around.
His second film, J. Lee Thompson's The Yellow Balloon (1952) was a suspenseful
thriller in which Ray, who thinks he has killed a playmate in a struggle
over a balloon, is blackmailed into helping a homicidal crook. Kenneth
More, one year away from winning major stardom in Genevieve, played
Ray's father, but the film was most notable for being the second British
film to be awarded the recently created "X" certificate, which
meant that Ray was officially too young to see it.
Both Ray and his father Ted had supporting roles (as father and son)
in John Gilling's thriller Escape by Night (1953), which starred Bonar
Colleano. In Philip Leacock's screen version of Roger MacDougall's play
Escapade (1955), Ray and two other youths (Jeremy Spenser and Peter
Asher), inspired by their pacificist father (John Mills), run away from
boarding school and steal an aeroplane. Their purpose is to distribute
a petition for peace, signed by boys all over Britain, to the great
powers that are meeting in Vienna. A comedy which also tackled some
serious themes, it proved less effective on screen than it had
been in the theatre.
As Ray reached his late teens he found good roles harder to get. He
was billed seventh in Mark Robson's crime caper movie A Prize of Gold
(1955) starring Richard Widmark and Mai Zetterling. In J. Lee Thompson's
powerful drama about a marriage break-up, Woman in a Dressing Gown (1957),
Ray played the son of the hapless couple, but the film was dominated
by the three protagonists, the slovenly wife (Yvonne Mitchell), the
straying husband (Anthony Quayle) and the other woman (Sylvia Syms).
He had more opportunity in The Young and the Guilty (1958), in which
Ray and Janet Munro were praised for their sensitive performances as
two above-average students whose innocent romance is nearly ruined by
their suspicious elders. In John Ford's Gideon of Scotland Yard (1959),
depicting one day in the life of Police Inspector Gideon (Jack Hawkins),
he provided some of the film's lighter
moments as a zealous young constable who starts the day by booking Gideon
for
speeding, after which he turns up at generally inopportune moments and
is
finally revealed to be the boy Gideon's daughter is dating. Terence
Young's
Serious Charge (1959), based on the play by Philip King, is primarily
recalled
now as the first film of Cliff Richard, but Ray had the film's key teenage
role
as the malicious youth who falsely accuses the town's vicar (Anthony
Quayle) of sexual assault. It was to be Ray's last good film role for
some time.
His father had put his earnings into a trust until Ray was 17, and he
later confessed that when he received the small fortune (pounds 5,000)
he went "a bit mad". He bought two sports cars and wrecked
them both in near-fatal accidents in the space of six months. "I
was in a West End play and had three films waiting to come out,"
he said later. "I thought, It's my money and I have a right to
spend it.'" Against his father's wishes, he married the actress
Susan Burnet in 1959. Ted Ray thought his son too young to marry, and
did not attend the wedding, causing further rifts in the already difficult
relationship Andrew had with his disciplinarian father. Andrew and Susan
Ray, who had two children,
separated in the 1970s but remained friends and never divorced.
In 1960 Andrew Ray had a personal success on the Broadway stage playing
Geoffrey, the sensitive homosexual who befriends an unwed mother (Joan
Plowright) in Shelagh Delaney's A Taste of Honey. On his return to Britain,
lack
of work and near penury led to his suicide attempt in April 1965, but
two years
later he was winning excellent notices for his portrayal of Leonard
Bast in a West End dramatisation of E.M. Forster's Howard's End.
So successful was his depiction on stage of the stammering George VI
in Crown
Matrimonial (1972) that he was cast in the same role (though when George
was
still Duke of York) in the hit television series Edward and Mrs Simpson
(1978).
Other television plays included Great Expectations (1974), in which
he was a
perky Herbert Pocket, Ian Curteis's Atom Spies (1979), in which he starred
as
the spy Klaus Fuchs, The Bunker (1981), about the last days of Hitler
(Anthony
Hopkins), and Passion and Paradise (1989), in which Ray played the Duke
of Windsor. He also appeared in such series as Dixon of Dock Green,
Upstairs, Downstairs and Inspector Morse. From 1992 to 1994, he played
the recurring role of Dr John Reginald in the popular series Peak Practice.
At the time of his death, he was planning a biography of the Ray family.
Andrew Olden (Andrew Ray), actor: born London 31 May 1939; married 1959
Susan
Burnet (one son, one daughter); died 20 August 2003.